The essence of the new black history museum is the true American story
Freddie Allen | 6/3/2016, 9 a.m.
(NNPA) When the National Museum of African American History and Culture opens in September, Lonnie Bunch, the museum’s founding director said that it will not only tell us a great deal of information about Black folks, but “it will tell us even more about what America is and what it can become.”
Bunch, who previously served as the associate director for curatorial affairs at the Smithsonian’s National Museum of American History in Washington, D.C. and as a curator of history for the California African American Museum in Los Angeles, Calif., said that, in some ways, the African American community has led the charge in forcing America to be America and broadening discussions around freedom and citizenship.
“When you look at any president, from George Washington on the number one issue they had to deal with at some point was African Americans,” said Bunch. “I really wanted people to recognize that this is all of our stories not just one community’s story.”
The decade-long search for artifacts that will live in the museum has been arduous, joyfully surprising and completely necessary for Bunch and his team of curators.
“Even if we took everything from the Smithsonian, it would only give us 20 percent of what we needed anyway,” said Bunch. “The Smithsonian is a place where so much of your credibility is based on the material that you have.”
Although Bunch and his team were dedicated to the search, he confessed that he wasn’t sure what he’d find.
“I was always struck by my own work early in my career and how I would go into a home and I would talk to an elderly woman or a young man and they would open a door and suddenly there would be wonders in front of me,” said Bunch. “So, I had to believe that there were wonders out there that I couldn’t even imagine that were sitting in people’s homes.”
Still, Bunch was doubtful when Charles Blockson, a famous collector and African American historian, reached out to him concerning personal items that had once belonged to Harriet Tubman.
“I just knew that he didn’t have anything,” said Bunch. Still curious, he travelled to Philadelphia, Pa., to meet with Blockson.
When he got there, Bunch said that Blockson opened a box and pulled out rare photographs from Harriet Tubman’s funeral, her personal hymnal and an amazing shawl that the civil rights heroine had worn before she died.
“While I was blown away by seeing this Harriet Tubman material, I was more humbled by the fact that he said, ‘and this needs to come to the Smithsonian for free,’” said Bunch. “He said, ‘I don’t want to sell it. I want people to engage with this material.’ And that kind of generosity makes all of this worthwhile. The realization that even if people don’t know it, they’ve been waiting for this moment, to be able to share that story.”
Bunch realized that every artifact couldn’t be the size of a hymnal.
After talking to a few “train people,” Bunch traveled to Chattanooga, Tenn., to meet with a collector who had a Southern Railways segregated railroad car from the 1920s. When it was running, three-fourths of the car was reserved for Whites. Black passengers walked through a swinging door that said “Colored” to get to their section. The railroad car was restored and lowered into the museum before exterior construction was completed.